警察學校3：初為人師

簡介：　　本作は、人付き合いが苦手な二星優鬥が始めた貓付きシェアハウス・二星ハイツを舞台とする物語。優鬥が幼い頃に離ればなれになった弟を探そうと、二星ハイツと自分の存在を全國に知らしめて再び住人を募るさまが描かれる。そんな優鬥をサポートするため、入居者だった修、毅、丈、ファンの4人も二星ハイツへと帰ってくる。

簡介：　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

簡介：　　1958年，法國必須麵對阿爾及利亞戰爭， 旅居瑞士的布魯諾·福雷斯特頓，一個逃兵在瑞士為一個極右小團夥工作，他的朋友懷疑他參加了雙重遊戲。布魯諾對政治理想充滿熱情信念，被雇傭他的法國政府下令前去暗殺阿拉伯的地下左派領袖。就在他實施計劃期間，一個偶遇的女子讓他躊躇不決，但 最後他還是照舊執行了任務。

簡介：　　一部描寫盜匪的影片。漢弗萊博加特飾演一名剛服刑完滿的犯人,遇上昔日拍擋, 此人由於身染重病,想在臨終前聯同他再做一次大買賣…

簡介：　　同誌Henry接到祖父病重的消息。他決定暫時放下自己在紐約頗成功的事業，回答家鄉照料老人，然而，在家鄉他又遇見了他，那個讓他多年前心碎離開的好友：一個直男，已經離婚，帶著兩個孩子獨自生活。　　而這位直男慢慢也開始困惑於自己對好友的感情，到底是友情還是愛情。他嚐試從愛情上去接納他，最終還是失敗，畢竟他是個直人。　　男主角一直把心思放在直人身上，卻不知鎮上雜貨店的印第安人老板已悄悄地愛上了自己。老板每天費盡心思地為他病重的爺爺調理飲食，卻羞澀木訥地不敢向他表白（這小鎮的同誌還真多）。在本鎮那些友善的居民朋友的撮合下，他和老板終於走倒了一起。　　故事發生在美麗的蒙大拿山區，風景優美，民風淳樸。

簡介：　　德拉薩爾寄宿學校裏，女教師克裏斯蒂娜和丈夫、校長米歇爾·德拉薩爾感情不偕，德拉薩爾對待他妻子也很粗暴。克裏斯蒂娜經過長時間考慮，決定擺脫丈夫，在另一個教師、女友尼古爾的勸說下，她們決定實施一個謀殺計劃……