菠蘿蜜2022

簡介：　　脫離臥底生涯的鋒，以為兩袖清風，　　惟昔日陰影揮之不去，上司、女友、老父，統統投不信任票，一次槍聲，　　同袍繼而倒地，原是江湖的昔日好友卻變成陌路人。可怕的是鋒也變成了自己的敵人，內心的煎熬令可卡因成了他最　　直接了當的解脫。　　濾鏡下的灰暗色調、霓虹燈下的慘淡藍、幻覺式FLASH　　BACK。是絕望觀感，還是在無人境界的國度？最危險的人　　物，正是那個活在夢魘的自己。

簡介：　　本片是超現實主義電影之父路易斯·布努埃爾和超現實主義畫家薩爾瓦多·達利的跨界合作。表現的是人的夢境和潛意識。故事分兩段，第一段開頭，一個憂鬱的男青年（路易斯·布努埃爾 Luis Bunuel 飾）坐在月光下，磨著剃刀，他抽著煙，等著年輕女孩出現。男青年拿著剃刀撫弄年 輕女孩的臉，用剃刀割開了她的眼球，同時烏雲劃過了月亮。第二段的時間設定在8年之後，馬路上出現了一個騎著自行車穿著類似女裝鬥篷的男青年，他暈倒在一個女人的樓下，女人下樓來拿走了他手中的盒子，男人再也沒有醒來。回到屋內後女人坐著沉思，另一個男人來敲門，手心布滿了螞蟻，當男人和女人在研究螞蟻的時候，樓下一個穿著男裝的女人正在撥弄一支斷手，引起了路人的圍觀。隨後女人的乳房、南瓜、修道士、鋼琴、衣衫襤褸的男女紛紛出現在畫麵中，富有象征意義的夢境被一一展現。

簡介：　　1930年，紐約發生了一起駭人聽聞的綁票撕票案，主謀卡塞蒂攜贖金逍遙法外。 5年後，偵探赫丘裏·波羅（艾伯特·芬尼 飾）乘船渡過博斯普魯斯海峽，並在朋友比安奇（馬丁·鮑爾薩姆 飾）的安排下登上東方快車，去往倫敦。一日淩晨，波羅被隔壁10號包間的叫聲驚醒。隨後，因雪堆掩埋鐵軌，列車被迫停於南斯拉夫境內。波羅再次睡下不久，又被吵嚷聲驚醒。貴婦哈裏特·貝琳達·哈伯德（勞倫·巴考爾 飾）聲稱10號包間的富翁雷切特（理查德·威德馬克 飾）潛入了自己的11號包間。天亮後，雷切特的管家貝多斯（約翰·吉爾古德 飾）端來了飲料，卻敲不開10號包間的門。列車員皮埃爾·保羅·米歇爾（讓-皮埃爾·卡塞爾 飾）用鑰匙開了鎖，但是裏麵掛了門鏈。波羅與皮埃爾合力扳開門，發現雷切特口角流血死不瞑目。經醫生康斯坦丁（喬治·庫魯裏斯 飾）檢查，雷切特被下了藥，身中12刀，死亡時間為0點至2點間……

簡介：　　文革期間，共產主義勞動大學在江西省某山區成立。“抗大”老幹部龍國正（郭振清 飾）被派到鬆山分校任黨委書記兼校長。當時，兩條路線的鬥爭非常激烈，圍繞辦學姓“社”還是姓“資”展開激烈討論，地委趙副專員（鮑烈 飾）支持副校長曹仲和（陳穎 飾）把學校建在城郊，而地委副書記唐寧（ 溫錫瑩 飾）則站在龍國正一邊，支持他們把學校建在山上。資產階級思想嚴重的教務主任孫子清（葛存壯 飾），認為工農出身的青年沒資格上大學，氣憤的龍國正抓起江大年（李世江 飾）的手宣布：“這手上的老繭就是資格！”他聘請老貧農參予學生入學評議，堅持開門辦學。肩負著社會主義使命的龍國正，麵對種種困難和不滿，能否當好這個校長呢......

簡介：　　迪莉婭（米利亞姆·霍普金斯 Miriam Hopkins 飾）原本要和克萊姆（喬治·布倫特 George Brent 飾）攜手步入婚姻的殿堂，然而半路殺出了個富豪吉姆（詹姆斯·斯蒂芬森 James Stephenson 飾），迪莉婭始亂終棄，最終嫁給了吉姆。　　迪莉婭的堂妹夏洛特（貝蒂·戴維斯 Bette Davis 飾）非常同情克萊姆的遭遇，陪伴並且時時安慰他，不幸的是，克萊姆在戰場上身亡了，而此時夏洛特的腹中已經懷上了克萊姆的孩子。最終，夏洛特生下了孩子，並交給莉迪亞撫養，而吉姆的堂兄喬伊（威廉姆·霍珀 William Hopper 飾）則愛上了楚楚可憐的夏洛特，這令善妒的莉迪亞氣的快要發瘋，發誓一定要破壞兩人之間的感情。

簡介：　　1960年捷克卡羅維發利國際電影節最佳導演水晶球獎。　　Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.　　From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studioses. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studioses' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).